They’re all feeling the pressure to outdo themselves. “I want something insane!” Same!ĩ:20pm - Day one of the challenge seems to go smoothly enough after their Mood visit. “Somebody needs to get crazy with this,” says Christian. Brittany is also getting vinyl, but she may need more. Laurence starts looking for neoprene, Bishme wants vinyl. His garment will redefine the shape of the body.ĩ:11pm - At Mood, the designers have $700 dollars to spend and as usually 30 minutes to shop. Rami considers using contrasting colors to reflect the way sunlight hits the buildings, plus a texture that emulates the clouds. Laurence looks out the window and inspired by one building in particular that looks like it had a notch carved out of the side. So she wants the proportions of her look to range from big to small as well. Brittany is inspired by the skewed proportions: buildings look big up top and smaller as you look down towards the ground. SEE Laurence Basse’s ‘Project Runway’ designs, ranked worst to bestĩ:09pm - The designers find their sketch pads and model cards in a room full of reflective silver balloons, which inspires Bishme to make an avant garde cocktail dress with a huge round belt and hat to represent the reflection of the room. Even though she just landed on the bottom two last week, Laurence’s cool confidence is infectious and I’m never really worried about her. Laurence, meanwhile, wanted to be an architect before she did fashion, so of course she’s prepared. I’m going to blow this one out of the water.” Considering how she redeemed herself on menswear this season, I wouldn’t underestimate her. Her goal it to “push my aesthetic to the very max. “Avant garde is so, so incredibly subjective,” notes Brittany, who lost her chance at the finale on season 18’s avant garde challenge. I’d need to be harnessed to the floor to get that close to that floor-to-ceiling window.ĩ:06pm - Christian Siriano arrives to explain that Summit One Vandderbilt is an “immersive design installation … It makes you question reflection versus reality.” The challenge is to be inspired by the architecture of Summit to create an avant garde look worthy of the finale. I’m not a big fan of very high heights.” You and me both, Rami. “It’s the most breathtaking view,” says Rami. They emerge into the colored lights of a winding corridor that leads to an open space with mirrored floors and a view of the Manhattan skyline. Rami and Laurence have been to the finale before, and Brittany never got quite so tantalizingly close.ĩ:04pm - Time for a field trip to Summit One Vanderbilt! The designers are tripping out justing getting in the mirrored elevator. That’s one of the reasons I want to see him in the finale more than anyone else. SEE ‘Project Runway’ season 20 spoilers: Who was eliminated, when, and why?ĩ:02pm - “I’m ready now, I have a mission to complete,” says Bishme, who is back in the final four after reaching that point in season 17 only to be eliminated right before getting a chance to show his collection. Follow along below starting at 9:00pm ( times listed are Eastern). That leaves Laurence, who finished third the last time she was on “Runway” and has won more challenges than any other designer this year - but landed in the bottom two in “Peacock.” So you can never be too sure which direction a challenge will go in. Bishme actually made a collection in season 17 but was eliminated before getting a chance to actually show it. But she managed to dust herself off and execute successful menswear looks this year despite struggling with men’s fashion in season 18, so perhaps she’ll be able to redeem herself in this field of design as well.Īlso with a lot of pressure on his shoulders is Rami, who got the Siriano Save and would undoubtedly love to prove to the judges that he’s worthy of showing a collection. So who’s likely to come out on top? Well, Brittany is at the greatest disadvantage according to our racetrack odds, perhaps because she was eliminated for her avant garde design back when she competed in season 18.
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Ruffhouse, launched in 1990, had already seen some success with Tim Dog and Cypress Hill. Most of them turned him down, but Joe Nicolo, a Philadelphia rap producer who’d recently co-founded the Columbia imprint called Ruffhouse, signed the duo. Dupri produced a demo tape and shopped it around to labels. He also convinced his father to become the group’s manager. People were paying attention.” Right away, Dupri decided that these two little kids should be a group and that he should turn them into one.ĭupri came up with the deeply impractical trademark Kris Kross look, getting these kids to wear their jeans and baseball jerseys backwards. So I said, ‘Who are you? What do y’all do?’ They said, ‘No, we ain’t no group.’ Everybody else in the mall was looking at them the same way. I thought they were some teen stars I wasn’t hip to. In Fred Bronson’s Billboard Book Of Number 1 Hits, Dupri remembers the meeting: “They were real fresh. Dupri, who wasn’t too much older than those two kids, saw a whole lot of charisma in them. That day at Greenbriar Mall, the two of them were shopping for sneakers, and they walked up to Silk Tymes Leather to ask for autographs. Dupri was the little kid pop-locking in Whodini’s 1985 “Freaks Come Out At Night” video.Ĭhris Kelly and Chris Smith, both from Atlanta, had been friends since first grade. As a kid, Dupri found work as a dancer, touring with Cameo, Herbie Hancock, and early rap groups like Whodini and Run-DMC. In the early ’80s, a very young Dupri jumped onstage to dance with Diana Ross at an Atlanta show that his father booked. Michael Mauldin, Dupri’s father, was a road manager for funk acts like Cameo and the SOS Band. Jermaine Dupri grew up fully immersed in the R&B industry. While both members of Kris Kross were kids, they weren’t really that much younger than the guy who discovered and assembled the duo. (I was born in September of 1979, the same month that “Rapper’s Delight,” the first rap song to reach the Hot 100, came out both members of Kris Kross were about a year older than me.) If you were a little kid when “Jump” came out, then these two guys immediately seemed like the coolest human beings in existence. The two members of Kris Kross, Chris “Mac Daddy” Kelly and Chris “Daddy Mac” Smith, were parts of that exact same micro-generation. “Jump” was targeted directly at the kids in my micro-generation, the ones who had never known a pre-rap world. But the real difference-maker for “Jump” was probably timing. “Jump” is a ridiculously catchy and memorable song, and that definitely helped it hit the way that it did. In its time and for many years afterwards, “Jump” was also the biggest rap hit of all time. “Jump,” Kris Kross’ debut single and only #1 hit was, in its time, the most credible version of rap music that had ever made its way to the top of the Billboard Hot 100. In terms of age and geography and subject matter, Kris Kross were outliers within rap music, but they still made music that could sit comfortably next to Public Enemy or EPMD in a DJ set. But Kris Kross also made straight-up rap music. They were a gimmicky kiddie-rap duo, and that alone made them unthreatening. Those were all built on identifiable samples, and they all represented visions of the genre that white radio programmers might’ve found approachable. Those first three rap chart-toppers were different in all sorts of ways, but they were all, in one way or another, familiar. Dawn got there with “ Set Adrift On Memory Bliss,” their take on the genre was strange and psychedelic and daring, but their hit was also built on a sample of a new wave ballad, and the group stood in stark contrast to the fiery and militant rap that sat at the genre’s vanguard at the time. Even though rap was unambiguously Black music, the first two rappers with #1 hits, Vanilla Ice and Marky Mark, were both blandly handsome white guys. When rap songs first started crossing over and topping the Hot 100 in the early ’90s, the stuff that made it to the top was carefully vetted for white consumption. The kids in my little micro-generation had never really known a world without rap the music was part of the air. By 1992, rap was easily the most exciting and vital genre of pop music. In retrospect, something like Kris Kross had to happen. In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present. The Best Bocadillo de Calamares In Madrid Más Corazón – Santa Isabel 16 | Everyday from 7 AM to 2 AMīar Benteveo – Santa Isabel 15 | Tuesday + Wednesday 9 AM to 12 AM + Thursday 9 AM to 1 AM + Friday 9 AM to 2 AM + Saturday 10 AM to 2 AM + Sunday 10 AM to 12 AM They also both have Spanish Omelette or Tortilla de Patatas. Two great casual places to try this in the Anton Martin area are Más Corazón and Bar Benteveo. Pan con Tomate is a delicious Spanish breakfast of crushed tomatoes on toast. Other restaurants that looked amazing: La Musa Latina | Sacha | Punto MX | Street XO | Bodega de los Secretos | Sala de Despiece | Restaurant Casa Salvador | Sanlucar | Tandoori Station | La Candela | DStage | Treze | Juana la Loca | La Barraca Traditional Food In Madrid Pan Con Tomate Monday to Saturday from 1.30 PM to 4 PM + 8.30 PM to 12 AM Each dish can be ordered in full, half or third rations.Įach dish we had was so delicious, it’s really hard to pick a favourite, but the ceviche, the sardines with sherry vinegar and almond milk, and the shiso prawn dish were all outstanding. On top of this, they will have many off-menu items to choose from too. The second column feels like more complete dishes with complex flavours and the third column are more fusion dishes. Here you will have a menu that is divided into three parts, the first column is left untouched, presenting quality ingredients. The restaurant itself has a great feel to it and the service is friendly. Triciclo is a modern elevated take on tapas. Other places for tapas that looked amazing: Abuelo (Garlic Shrimp) | Casa Gonzalez (Cheese and Jamon and wine) | La Catapa | La Castela (free tapas at the bar with a drink) | Bodega Ricla (meatballs). Monday to Friday 8.30 AM to 2 AM + Saturday to Sunday 11.45 AM to 2.30 AM Here they have an absolutely delicious tortilla de patatas or Spanish omelette. This bodega is cosy inside with a great atmosphere. Sunday to Tuesday + Thursday from 1 PM to 3.30 PM + 8 PM to 12 AM + Wednesday from 8 PM to 12 AM + Friday + Saturday 1 PM to 4 PM + 8 PM to 1 AM Bodega de la Ardosa We loved the Jamon croquettes and pork with caramelised onions on toast. Monday from 1 PM to 1 AM + Tuesday to Thursday from 6 PM to 1 AM + Friday to Sunday from 1 PM from 2 AM Casa LucasĪnother tapas bar on Calle Cava Baja, with a beautiful wooden interior. They also have excellent vermouth (a fortified wine popular in Madrid). We love the pork cheek with red wine sauce and prawn toast. It has a small area and bar where you walk in and a seating area downstairs. Taberna La Concha is a tapas bar on Calle Cava Baja, a street lined with Tapas bars. A where to eat in Madrid map so you always know what delicious food is close by… ( + printable pdf map at the end). The same year this came out, Davis was in The Accidental Tourist and Beetlejuice. Davis was probably bigger than Goldblum at the time. At this time, they both were established as big actors, having starred in The Fly together a couple of years earlier. I think Geena Davis and Jeff Goldblum in the lead roles elevates the picture from being just a silly cult movie. So, while some may see this as specifically an artifact of the 1980s, a broader survey of cinema shows it is just a piece in a long tradition. The music, revealing the film to partially be a vehicle for Julie Brown’s kitschy pop of the time, adds to the underlying sense of a classic Hollywood film from the 1930s & 40s. You have a woman looking for love, betrayed by her partner, and through a series of magical circumstances, she meets her soulmate. At its core, this story is a pretty classic Hollywood farce plot. It’s not trying to say anything too profound, but it still manages to be sincere and truly sweet in moments. Ted becomes suspicious of these sudden guests and wants to get to the bottom of things.Įarth Girls Are Easy is an enjoyable and silly excursion. While Zeebo and Wiploc become enamored with the women around them, Mac seems to sense Valerie’s heartbreak and wants to help her. Valerie hopes to keep them in her house until their ship can leave the next day, but Candy wants to take them out to the Los Angeles party scene. In the meantime, she takes the aliens to Candy, who shaves them and makes them over, revealing they resemble human men underneath. Valerie learns their ship is flooded because of the pool and calls in the pool guy to drain it, which will take a whole day. His two crewmates Wiploc (Jim Carrey) and Zeebo (Damon Wayans), saw broadcasts from Earth of gorgeous women and took the ship off course, causing the crash. Inside are three technicolor furry aliens led by Mac (Jeff Goldblum). Valerie is despondent and lounging by her pool the next day when a spaceship crashes. She tries to get a makeover with help from her friend Candy (Julie Brown) but discovers Ted is cheating on her. Valerie (Geena Davis) is a valley girl working as a manicurist and set to marry Ted (Charles Rocket), her doctor boyfriend. With 1980s nostalgia being at its peak in the last few years, you would think a movie like this would get more attention, but it still remains a very obscure picture, or at least not brought up in discussion in the internet corners I frequent. I haven’t revisited it since those years, now as an adult, I figured it could be a part of this series, and I was interested to see what I would get from it now. My memories are incredibly spotty, and I remember images of the furry aliens and their transformation into resembling people. When I was a kid, this film, in its edited for television version, seemed to play often on one of the local channels, which pretty much bought and played anything they could find to fill airtime. Flying to Lewis' city and knocking on his door to ask.Written by Julie Brown, Charlie Coffey, and Terrence E. That’s what prompted Temple to do something crazy. The problem was, during the late 80s Lewis had the fame of being “the most nasty man in showbusiness,” and that could be a problem since they needed permission from Lewis himself to be able to show clips of the movie. One of Lewis’ most famous movies, The Nutty Professor, not only served as inspiration for Temple, but also serves as an important plot device to move the story of Earth Girls Are Easy forward.Temple says that he loves visual gags, that he wanted the aliens to learn English from watching The Nutty Professor again and again. In the exclusive video, Temple reveals his passion for one of cinema’s most celebrated comedians: Jerry Lewis. In order do tease the highly anticipated release, Lionsgate shared with Collider a clip from one of the movie’s bonus features - the clip reveals how one of the cornerstone scenes in the movie almost didn’t come to life.The Blu-ray edition features a series of bonus features that celebrate the legacy of Earth Girls Are Easy, including an audio commentary track and an interview with the movie director Julien Temple. The musical comedy was one of the popular titles that never made it to the high-definition quality image era, but that changes today. For the first time ever, Earth Girls Are Easy is now available on Blu-ray from Lionsgate. As we reported back in September, 1980s movie enthusiasts have an extra reason to celebrate in 2022. |
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